Alex Vorkov, horror writerさんのイラストまとめ

#watched HOWL (2015).

✅ Werewolves 🐺
✅ Horror on a train 🚂🚃🚃🚃

What's not to like?

#horrormovie #Werewolf

#watched THE BLACK CAT (1981).

There have been many diverse film adaptations of the famed Edgar Allan Poe story. I like to think the author would have enjoyed Lucio Fulci's grisly and fantastical interpretation the best.

#horror #Fulci #Poe

#watched BURIAL GROUND (1981)

Sure, it's dumb and trashy. But director Andrea Bianchi exploits the shooting location's architectural beauty to the max and throws a non-stop barrage of #zombie mayhem at the audience from the 14-minute mark to the last frame.
#horror #splatter

#watched MURDERS IN THE RUE MORGUE (1932).

A pre-code #horrormovie that eludes me no more! It's not on the level of the major 1930s classics, but the film is well paced and more explicit than I expected. I should know by now with pre-code films.

Starring Bela Lugosi.

Appreciation tweet for TIFFANY BOLLING (b. 1947).

The beautiful, edgy, quirky star of #grindhouse & drive-in favs such as BONNIE'S KIDS, WICKED WICKED, THE CANDY SNATCHERS, THE CENTERFOLD GIRLS, and KINGDOM OF THE SPIDERS.

#watched DON'T TORTURE A DUCKLING (1972).

Lucio Fulci's dim view of humanity gets a cathartic outlet in his later films (zombies come along to wipe us out). DUCKLING offers no such nihilistic satisfaction.

Not the goriest #giallo, but perhaps the bleakest.

Godzilla turned 65 yesterday, but you know who else started collecting social security earlier this year?

1954 was a good year for iconic monsters.

#watched I SPIT ON YOUR GRAVE (1978).

Not the first r/r film, but surely the most controversial. The disparate reactions are sociologically intriguing: To some it's traumatizing, to others cathartic. To some it's misogynist exploitation, to others a feminist statement.

#watched PLANET OF THE VAMPIRES (1965).

Mario Bava's micro-budgeted #scifi #horror movie probably cost $50 to make, but it was money well spent. Not only is the film creepy as hell, it clearly inspired many later, bigger films (despite the denials of their respective creators).