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It goes on to provide greater explanation about the #writing system of #Arabic and the #language's grammar, which seems a bit weird, if it's meant to teach #Turkish-speakers Arabic. But maybe it isn't. Maybe it's just a reference work for those already in the know.
I started with the main text, because the actual introduction deserves a bit of its own intro. It's written entirely in #Arabic and contains the sort of usual invocations to God and the #Prophet #Muhammad, plus also a special mention for Zayd Ibn Thabit, the Prophet's scribe.
Here's a woman identified specifically as #Greek. Her hair is in braids, all of which are ornamented with silver at various intervals down to the ground.
This is Cihan (World), the final #Uyghur #magazine I have to share. It was published by the North-West Cultural Salvation Society(?) in 1948. The society was based in #Urumchi, Nanking and Lanzhou. It included colour #illustration, as these beautiful #flowers will attest.
Newroz Pîroz Be!
نەورۆز پیرۆز بەت!
نوروز مبارك!
A happy New Year to all those celebrating, even under quarantine!
An old illustration, but I for one could use a bit of levity while locked in!
#Nowrouz #NewrozPirozBe #Nevruz #نوروز #PersianNewYear
To continue with the theme of publications for #children, some #art from the #Soviet #Uzbek kids’ #magazine G’uncha (https://t.co/5icwDPxjDn.11) published from 1958 onward. The #illustration is sort of typical for Soviet #kids material, complete with #propaganda.
#Uzbekistan
@csen_nomads Happy New Year to you too! A little illustration I’ve made to help learn the script and remember the names of the years.
I had the opportunity to go through the @britishlibrary’s #Buddhism #exhibition. It’s a wonderful introduction to the life of the #Buddha and the practice of the #faith across #Asia - with plenty of stunning objects. A few samples from #SriLanka, #Japan and #China.