Bright Wall/Dark Roomさんのイラストまとめ

"Mike Nichols' WORKING GIRL, at its heart, is a film that examines the nuances of the intersection of class & feminism, packaged slyly in the form of a light-hearted, girl power-flavored workplace comedy." -@carriecourogen https://t.co/KUOxCc5vN2

"Moneyball is not a baseball movie as much as it is a treatment on convictions, traditions, decisions, and how each of them have relational ramifications. Even the grandest plans have consequences." https://t.co/di3Lqsv5FP

"If Van Sant was a Mike he wouldn’t be telling the story, and if I was a Mike I wouldn’t be missing MY OWN PRIVATE IDAHO’s Portland. It’s Mike’s story, but it is up to the Scotts to remember it." -@crf_pdx https://t.co/sc5jVah0iG

Today on the site: @crf_pdx makes their BWDR debut with a personal reflection on "My Own Private Idaho," and how movies can trigger nostalgia for a person you were in a city you loved (with new art by @studiotstella): https://t.co/sc5jVayBHg

"This is the real gamble at the heart of Altman's CALIFORNIA SPLIT: the risk you take when you put your care and trust into another person." https://t.co/34X85l1oY9

Today on the site: our Best Laid Plans issue continues with @Ethan_Warren_ on “Southland Tales” and how it all came crashing down (with new art from @studioralston) https://t.co/AJVLnbFjaF

Today on the site:
our Best Laid Plans issue kicks off with @CodyJBenjamin on MONEYBALL, "not a baseball movie as much as a treatment on convictions, traditions, and decisions."
With new art by @studiotstella! https://t.co/di3LqsMH4p

Kiss Me or Kill Me: Sexual Desperation & Identity Erasure in CAT ON A HOT TIN ROOF -@roxana_hadadi

(art by @brianna_ashby)

https://t.co/16X2io8LIL

"I’ve done a lot of other things, but when I look back on my work… [my work with Bergman was] probably what gave me most life. Because I was so alive, and I was trusted so much." - Liv Ullmann https://t.co/3LE10auaqU

New on the site: Ross Peterson on Ken Russell's THE DEVILS, once seen as an "edgy-for-the-sake-of-edgy middle finger to the Church," but viewable in retrospect as "a Catholic artist trying to make sense of his own faith" (art by @studiotstella) https://t.co/Nndooc34rD