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"Diamonds Are Forever stands out as the most peculiar entry in the franchise thanks to its unintentional embrace of the surreal & the challenges it poses to its own pedigree and dogma." https://t.co/16yPdg8mkI
I Don’t Belong In This World: On the Saltair Pavilion, Mary Henry, and CARNIVAL OF SOULS -@MerrittMecham
https://t.co/3lHad6DWyr
Today on the site: our Erotic Thrillers issue continues with @burritotheif on Body of Evidence "a small, disgusting wonder" kept alive by Madonna, "that vital organ pumping lifeblood into the film’s otherwise rampant decay." (art by @studioralston) https://t.co/2b1umtkk02
"This is the real gamble at the heart of Altman's CALIFORNIA SPLIT: the risk you take when you put your care and trust into another person." https://t.co/34X85l1oY9
Hello Loneliness, I Think I’m Gonna Die: Bob Fosse’s Dance with the Five Stages of Grief in ALL THAT JAZZ -@aHeartOfGould https://t.co/fpnVCNths4
Um, we’re about to hit 100 issues 😳
Which means for $3/month you get access to 8 years and 1100 essays. $3! https://t.co/ope2qszXi7
"If anything, CHARADE is a screwball thriller—and surely the best movie that Howard Hawks never made." -@wolfandfox
(art by @brianna_ashby)
https://t.co/pBKsvvmifi
"Uncut Gems is itself an uncut gem—jagged and terrifying on the outside, yet encompassing a startlingly beautiful and cosmic humanism within."
-@aHeartOfGould (art by @brianna_ashby)
https://t.co/Os6ddyiklD
"Ken Russell's THE DEVILS is not your edgy-for-the-sake-of-edgy middle finger to the Church many at the time took it to be. It is, in fact, a very religious film made by a Catholic artist trying to make sense of his own faith." https://t.co/NndoobLt33