bruteforce-worksさんのイラストまとめ

6/9
But she is also confident enough to take big leaps from her soft palette and tackle whatever she feels can be said with vectors. In her hands, the result will always be exact, mathematically constructed, not single line of shape or anchor point left to chance.

2/9
Yes, vectors are great for commercial work, they can be enlarged to any size without the horrible artifacts of raster images, they animate easily, they tend to look clean an uncluttered. But how much can you say with Bezier curves, the pen tool and live corners?

@verticalcrypto I was tagged here by the one and only @NikiLeSunshine1 (thank you Niki❣️). Let me share a bit of my work and tag @cryptopom1 @ab_nft @eyes_of_lamia @WibauxV

Hi, just in case this is first time we meet!
I'm a writer and game designer creating narrative based 2D animations hoping to deliver the textural, multilayered look of a painting or an illustration that becomes alive through movement.
🔉🔉🔉
https://t.co/MioXthK6O7

7/10
Aguirre had a triumphant debut in the VR art world with his exhibition for Art Mûr in Montreal, Canada. The title, 'A Constructive Instability', refers to the devastating entropy needed to disrupt a stagnant status quo, but it can also apply to Lucas' creative process.

5/10
Necessity being the mother of all progress, Lucas found in photogrammetry the way to provide himself with real life 3D bodies on which perform his artistic interventions. He started scanning models and friends who would then be teleported into the ether.

🧵🧵🧵
1/10 @lvcasaguirre
Self-proclaimed NFT masters tend to produce pieces that could belong in the 1800s or even earlier. Two dimensional, crafted in traditional media, if varnished oil on fraying canvas even better.
But is that what the old masters would have done today?

8/8
Few creators write as eloquently as she does about the relationship between life and art. Twitter limits don't do any justice to the complexity of her journey, so I will direct you to her own observations.
https://t.co/RlXkLlrf8f
For this piece 🔉🔉
Next week: @BekaRiosART

6/8
Carson offers a unique key to read her work: “Lines mean a current of thoughts/ideas/life. Squares are boxes symbolising the containers and limitations we put on parts of ourselves to survive and fit in. Dots are the atoms and particles of existence and experience.”

3/8
Amelia charts in equal parts her mind states and quotidian life. We are invited to follow her footprints through some wild mood swings that not just affect her perceived reality, but rather shatter any illusion of a reality. But then, she makes bread and tends to the garden.