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Country-punk and student of the funk. The Wages, An Illustrated Story. Draws at trials.
brandycinnamonwages.com

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Brought some colour into Brandy Cinnamon’s face. I thought I lost control of it for a bit, but got the delicacy back. By delicacy I mean toughness.
I’ve watched many makeup tutorials too, to get her smokey eye right. She’s more country than rockabilly—no solid-edge red lip etc.

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Watercolour first so the black background in graphite will go cleaner around it, and make the florals pop a little.
Sometimes it’s better to do the background after, if you’re working with an opaque medium. It can pick the foreground up and make it more lively.

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This is pretty much coming out the way I imagined it. I drew the picture out to fill the video frame to 16:9 aspect ratio, but it really made it look like a comtemporary video. So I trimmed it to 4:3, and now it looks like an old TV frame video posted online.

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[CW for disturbing material]
I did another court drawing today for this report by .
https://t.co/y2vPSfVX8H

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Four exterior drawings for The Wages, An Illustrated Story
1. Chatham, Ontario
2. Chatham, Ontario
3. Guelph, Ontario
4. Museum of Information’s empty night theatre, location unclear

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[CW for disturbing material]
My drawing for of the video appearance of Nathaniel Veltman, the accused in the alleged anti-Muslim mass killing in London, Ontario. For the full stories, please visit https://t.co/dRyZNwU0qH
I have been a court sketch artist for 18 years.

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Posting this one again, because I accidentally posted the Instagram trim of it to Twitter, where a trim is not needed. The composition looks better in this shape that I drew it for. The space around her is doing what I want it to here.

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