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...also perceives and aged version of Illyana (which makes no sense?) but is distracted by screams in the distance.
The man finds three of the Savage Land tribeswomen as prey to a T-Rex, but struggles to enter his organic steel form following his rumination on Anya's rejection.
...would be the damsel herself, even if I'm pretty certain that Kurt is canonically dating his sister at this point in the Run.
Back at the mansion, Kitty and Illyana's attempts to bring Kurt home seem to be making headway as Kitty excitedly activates the interdimensional...
...a companion for Kurt in ways I can't just put into words.
Whether it's the imagery of the parrot on the pirates' shoulder (now often cleverly invoked in the pages of Duggan's Marauders) or just the fact that they're both "monsters" with a slapstick buddy-cop vibe, their...
...for Kurt to break loose (with the additional support of a well-timed tail bite by Lockheed).
Even as most of his interactions have been confined to Kitty or Illyana (or Madelyne Pryor, hilariously left to babysit him on more than one occasion), Lockheed just *works* as...
...as he originally intended: flirtatious, adventurous, and hardly one to take himself too seriously.
After the identity of the Boggie's is finally revealed (think tiny Kurts but with a Yoda-esque speech pattern), Kurt is freed by his new diminutive companions and sets out...
...itself at the center of the pirates' attack, Kurt's keen sense of morality kicks in as he recognizes he's on "the bad guy" side of this fight.
Kurt sabotages the pirates' attack, promising revenge should they attempt to attack the seemingly innocent ship again. Teleporting...
...to change as we progress through the series, however, as this first issue dedicates all of its page time to developing the story's setting–on the other side of an interdimensional portal Kitty somehow programs the Danger Room to actually create.
Comics sure can be insane, no?
...fewer things to "say" than I've come to expect since diving headlong into the Claremont Run.
The story, even for 1985, does feel something out of place; its lighter plot and Cockrum's iconic art reminiscent of the era the blue mutant was first introduced in.
This may come...
...ever deserve, a logical extension of his true creator's return to writing the fuzzy elf for the first time in a decade of publication history.
Released in 1985–about a year before our current place in the Run, the Nightcrawler mini–and while far from unintelligent, has...
One lazy afternoon in the Boneyard…
Rachel: “You know Akihiro, your dad straight up tried to kill me once.”
Akihiro: “UGH SAME GIRL, SAME”
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