Conor ⊗🔺さんのイラストまとめ

...Nocenti has repeatedly argued throughout the series about the nuanced nature of existence.

Mojo attempts a sneak attack on the two slaves-turned-soldiers, but his withdrawal from his seat of power leads him to retreat back to the tower where he'll face a final confrontation.

...full responsibility for the state that Rita has been left in; even if, in this instance, that blame isn't entirely deserved.

Mojo has maintained his stranglehold over his society by breaking the wills of his subjects, and the impacts of that are plainly visible in Quark...

...none are as wildly crazed and narcissistic as he. If last issue identified Longshot as something of a Messiah for his people–the Mojo is an Antichrist among ours.

With his selfishness resolved after last issue's awakening, Longshot has rebounded to the opposite end, taking...

...I purely enjoyed this series and all of what it had to say.

Nocenti is often the unsung hero of Claremont's Run–her time as line editor and Claremont's confidant underplayed in favor of putting attention toward Chris's work–but the Longshot series really highlights her...

...members included in the Run–even when those relationships exist on opposite sides of "the fight"–are afforded the same nuance inherent to their individual members.

Black Tom may resent Sean for winning over Maeve, and while the man briefly entertains his selfishness, he...

...of Claremont's Run (and an argument for why so few of them have stuck since his exit from the franchise) is the dimensionality afforded his villains.

"Good" or "evil" are rarely as straightforward as they seem, and it was this perspective that Claremont infused into nearly...

...bike, Sean was shocked to learn the person behind his rescue was, in fact, a woman.

Sean is quite immediately smitten by Maeve–whose name will later become the middle name of his daughter, Theresa–but the certainty of their mutual attracting is immediately thrown into the...

...creator. Arize's ideology functions as a great counterpoint to Mojo's–whereas the former has made the world beautiful around him, Mojo sees beauty only in himself.

My takeaway, as Longshot finds himself overwhelmed with the beauty around him, is that Nocenti is suggesting...

...pulling back the covers more with each issue to recontextualize the series' thesis altogether.

Longshot #5 revisits the concept of intention, finally making the point to fully separate it from the idea of impact.

Gog's hatred of Longshot is built on this theme, his anger...

His invalidation of Gog's existence–unintentional as it was–sends the still-growing demon into a fury.

The two are far more alike that either would like to admit.