Michael Doyleさんのイラストまとめ

"Long before you knew what death was, you were wishing it on someone else." - Ray Bradbury, "The Veldt" (1950), collected in THE ILLUSTRATED MAN (1951)

#horror #scifi #books #shortstories

"Death has come to your little town, Sheriff. Now, you can either ignore it, or you can help me to stop it..." A truly superb alternative poster for John Carpenter's highly influential horror classic, HALLOWEEN (1978), by Jason Edmiston. #horror #film #posters #art

"I want my cake!" An alternative poster for George A. Romero's classic horror anthology film, CREEPSHOW (1982), by Boneface. #horror #movies #stephenking #posters #art

"It'll be just like in the movies. Pretending to be somebody else..." An alternative poster for David Lynch's brilliant surrealist neo-noir mystery film MULHOLLAND DRIVE (2001) by Kevin Tong. #film #davidlynch #art #posters

Good morning!

The Croglin Vampire by Les Edwards. This oil painting was originally commissioned in 1984 by Weidenfeld & Nicholson for a collection of factual supernatural stories, but ultimately wasn't used. It later appeared as the cover for volume one of BEST NEW HORROR in 1990. #horror #art

[2/2] ...attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts. Whose people passing at night on the empty walks sound like rain." - Ray Bradbury, THE OCTOBER COUNTRY (1955). #horror #books #writers #authors

Bob Larkin's cover for SAVAGE SWORD OF CONAN Vol. 1, No. 42 (July, 1979) depicting Roy Thomas's story "The Devil-Tree of Gamburu", an adaptation of the original material by L. Sprague de Camp and Lin Carter. #Conan #comics #Marvel #art

Creepy concept art by Mike Ploog depicting a potential monster for John Carpenter's THE THING. This creature looks like an obscene amalgamation of a crab (or a mushroom) and an insect of some kind. To say Ploog's imagination is exceptional is a firm understatement. #horror #art

"I often deviated from my scripts when I was shooting, but I did more with them than most directors [could]... I went off like a jazz musician, using the basic material as a theme, and doing various riffs on the theme, occasionally returning to the theme." - Larry Cohen #film