Michael Doyleさんのプロフィール画像

Michael Doyleさんのイラストまとめ


Author of CONVERSATIONS WITH CARPENTER, LARRY COHEN: THE STUFF OF GODS AND MONSTERS, STUART GORDON: INTERVIEWS, HANCOCK ON HANCOCK. Bylines @RueMorgue @Fangoria

フォロー数:689 フォロワー数:2732

"They're still shippin 'em over here. They put 'em in cars. They put 'em in your TV. They put 'em in stereos and those little radios you stick in your ears. They even put 'em in watches." An alternative poster for Joe Dante's enduring classic GREMLINS by Randy Ortiz.

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"You could have dinner with us! You like head cheese? My...my brother makes it real good. You'll like it." An alternative poster for Tobe Hooper's classic horror film, THE TEXAS CHAINSAW MASSACRE (1974), by Clement Moreau.

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"Your father will protect you. Your father will always protect you." An alternative poster for John Krasinski's post-apocalyptic horror film A QUIET PLACE (2018) by Danny Schlitz.

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Another vivid concept illustration by Bernie Wrightson, commissioned in 1986 by director Stuart Gordon for his proposed adaptation of H.P. Lovecraft's classic novella, THE SHADOW OVER INNSMOUTH. This project later mutated into DAGON (2001).

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"I wonder who the real cannibals are..." An alternative poster for the recently departed Ruggero Deodato's notorious found footage cannibal horror film, CANNIBAL HOLOCAUST(1980), by Randy Ortiz.

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"Love and Pain" (aka "Vampire") by Edvard Munch. The Norwegian artist painted six versions of this same subject between 1893 and 1895. Seen by many as the sister of Munch's "The Scream" (1893), one version of the painting sold at Sotheby's in 2008 for £24.3 million.

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"Do you believe in destiny? That even the powers of time can be altered for a single purpose? That the luckiest man who walks on this earth is the one who finds true love?" Oscar Martínez's alternative poster for Francis Ford Coppola's BRAM STOKER'S DRACULA (1992).

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A sprinkling of the exquisitely nightmarish specimens conceived by H.R. Giger for ALIEN (1979). Each of these concept designs, detailing the Facehugger, illustrates Giger's uniquely unsettling gift and visionary qualities as an artist.

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An alternative poster for Neil Marshall's THE DESCENT (2005) by Chris Weston.

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