RobertARTさんのイラストまとめ

/TRACES # 6/
3⃣1⃣
Some works from late 1940's: "La Torre" (left top), "Vejez" (right top), "Frío" (left below) and "Cambio de Tiempo".
#painting

/TRACES # 6/
1⃣9⃣
In other work from this time, "Espíritus de la Montaña", 1938, mountains, depicted as slender volcanic tubes rise from light-imbued mist. Heads of women resembling the artist emerge from the tallest two.
#painting

🆕 Bárbara Bezina, Argentina.
"The Big Dream" (2022).
@BarbaraBezina
https://t.co/ZKcdurb0Wt
#art #digitalart #newgeneration

/TRACES # 5/
3⃣0⃣
Further works from the 1950s: "Hotel du Quai Voltaire" (1956, left top), "Scene with Nude" (1952, right top), "Jacob's Ladder" (1957, left below) and "Western Dream" (1957, right below).
#abstractart

/TRACES # 5/
1⃣7⃣
In 1951 she painted on paper "Great Meadow", mix of soft browns, reds, green and yellow, which are intermingled but with drawn line creating distrinct shapes.
#abstractart

Today
#art #painting #abstractpainting #abstractartist

/TRACES # 4/
# 016
In @americanart there are four interesting works from 1953-1954: 'Fire" (54, left top), "Autumn" (53, right top), "Deep Grief" (54, left below) and "Forlorn Spot" (53, right below).
#草間彌生

/TRACES # 4/
# 015
In February 1954 it takes place the third her individual exhibition, and the first one in Tokyo. The second exhibition in the capital took place in August.
#草間彌生

/TRACES # 4/
# 007
According to the belief in Japan at that time, typical of the conservative part of society, a woman could not have a successful future as a painter. Her mother was against, her father supported her, she got her first painting accessories from him.
#草間彌生

/TRACES # 3/
# 025
Despite attempts to change her style, imitate surreal landscapes or expressive abstractions, her career declined. After Kuffner's death in 1962, she moved to Houston. Her new works were not well received and the she gave up exhibiting her works.
#Lempicka