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Despite attempts to change her style, imitate surreal landscapes or expressive abstractions, her career declined. After Kuffner's death in 1962, she moved to Houston. Her new works were not well received and the she gave up exhibiting her works.

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The indicator of the third stage of her painting was the putty knife, a tool not used in art before Impressionism. Łempicka started to create paintings in beige or brown shades. These were paintings with blurred outlines and unpretentious themes.

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The American press did not take it seriously, focusing mainly on the history it created around itself. At that time, she undertook numerous experiments, including with geometric abstraction, it was, however, a minor episode in her work.

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The value of Lempicka's work was the ability to transfer observations of the surrounding world to the language of painting she developed. Her portraits make up gallery of contemporary types, heroes of the artist's life, and social and cultural elite.

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Pain and suffering is a constant topic in Frida's painting. In this painting, "The Broken Column" (44), she expressed her anguish and suffering in the most straightforward and horrifying way. The nails are stuck into her face and whole body.

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One of the most famous works from this period is "The Suicide of Dorothy Hale". It was supposed to be an ordinary portrait but was one of Frida's most shocking and controversial painting, which depicted the details of every step of Hale's suicide.

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She said about "What I Saw in the Water": "It is an image of passing time about time and childhood games in the bathtub and the sadness of what had happened to her in the course of her life". Oil on canvas, 91.44 x 70.5 cm.

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🎨 Jean Bellette (1908 – 1991) was an Australian 🇦🇺 artist and modernist painter. Bellette was influential in mid-twentieth century Sydney art circles. She frequently painted scenes influenced by the Greek tragedies of Euripides and Sophocles and the epics of Homer.

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