//=time() ?>
and sometimes there'll be a foreground, middle ground, and background, all in one shot -- well, you can vary line width for those too to give it more depth and breathing room in the smaller (farther) objects. this difference in line width can be subtle or exaggerated & extreme
here's an instance of a comic where the panels switch line width based on what shot is being presented. i usually try to use 5-7px with strong pressure for my regular lines and fixed-width 1-3px brushes for distance models
little outis after editing some drawings on their 2018 reference to get a better feel for how i want to alter their eye structure
unrelatedly really i've been working on this strip little by little still and i really liked how this panel turned out with the background and all, feels very hot and muggy