The Oh Gosh, Oh Golly, Oh Wow! Podcastさんのイラストまとめ

“Rachel’s coolness feeds into the gap in her character. That she comes back a changed character. That she’s not the pensive character she was before. This is someone who’s confident and calm to an almost sociopathic degree.” -@ClaremontRun

“Kitty’s arc is about not feeling comfortable in her own skin, and being incorporeal. So she engineers a violent rebirth. That doesn’t excuse the sexualization; but it does make it complicated.” -@ClaremontRun

“Kitty is an innocent victim character who also has the symbolic attribute of being invincible. She’s both ideal and imperfect as a final girl because she can’t really be hurt. Unless you change the rules, so they do.” -@ClaremontRun

"I chose Gloria Anzaldúa & Donna Haraway to talk about Kitty because they were her contemporaries in the 1980s. Kitty uses her powers to build coalition. Her power is not so powerful she can do it all herself. She’s intersectional before we’re commonly using that word." -@magdor

“The way Nightcrawler is rendered is... impressive. You talk about having a crush on him and in this issue I get why. He’s here with that low-button shirt, his abs fully showing half the time... I’d totally hit that monster.” -@llgrafton

"Everything about Kurt’s body and powers is built for movement—for transition from one place to another. And that extends to his characterization. He’s not the things that happen to him. He’s always what he does to move on." -@nolapfau

"If you're a mutant shapeshifter, what race or gender are you? I think the exploration matters. But it’s still humans reading and writing this. There’s a blackface element here. Yes, her race is ‘mutant,’ but you can’t divorce it from the cultural context." -@chrismaverick

“Merlyn builds on cultural expectation—of little Brian wanting to be a knight, of wanting a father to take care of him, reading The Sword in the Stone... There’s a sense Merlyn exploits that, with Brian & with the entire Captain Britain Corps.” -@bthomasa

“The Braddock family, Brian, Betsy, and Jamie, all have their own neuroses and traumas, and they carry those things into their adult lives. In Excalibur, Brian sometimes means well, but his trauma turns him into a jerk.” -@TheQHBlend

Latest on #Excalibur #50 talks supersex: “That the merging isn’t ‘traditionally’ sexual is actually what’s great about it. It’s about the queer ways bodies relate to each other, metaphorized & literalized by the presence of superpowers.” -@peppard_anna

https://t.co/OleQW9YPQ3