John Moores Painting Prizeさんのイラストまとめ

"I'm interested in painting energy that flows, the expansion and compression of form, the diversion of a line, the spatial impressions of colour"

Wet Casements
Oil on Canvas, 50x70cm by Brendan Lancaster from #JM2012 🍃

Roger Hilton won first prize in 1963 with his painting 'March 1963'.

Artist and juror Peter Lanyon wrote to Hilton: "You got an absolute majority, a vote of four out of five" and told him it was the best painting to come out of Britain since the war.

🟦⬜⬛ #JMPP #Art #Painting

Injecting some sweet feline cuteness into your Monday morning 🐈💕

Where's Whiskers?
Oil on canvas, 35.5cmx28cm by Caroline Ambida from #JM2006

"Working from photographs, drawings and recalled social observations, I try to depict fleeting interactions or moments of failed intimacy"

Birthyard
Oil on canvas, 167.8 x 152.4cm by #JM2016 prize winner Gabriella Boyd

The Divide, Beyond Reasoning, Watercolour on paper, 76.5x57.8 cm by #JM2018 Prize winner Shanti Panchal 🐶 @shantipanchal #painting #art #contemporarypainting

Did the #JMPP2020 jurors get it right? Have your say - cast your vote for the #JohnMooresPaintingPrize 2020 Visitors' Choice by Monday 3 May 👉 https://t.co/x5E8f6OMlw

1/3 Rachel Glittenberg
Night Swimmers
2020
Acrylic on canvas
122 x 152.5 cm

"This is my interpretation of Édouard Manet’s painting, 'Le Déjeuner sur l’herbe'. I wanted to portray a scene which is universally recognisable yet, on closer inspection, is unsettling...

#JMPP2020 FIRST PRIZE WINNER! Congratulations to Kathryn Maple whose painting 'The Common' was selected by the jurors as the 31st winner of the competition. Watch the jurors discuss their rationale and hear from each of the five prizewinners here: https://t.co/bsbHfyLe8u

"My paintings often come together like a collage, with the subject emerging from filtered shapes and bursts of colour." #JMPP2020 prizewinner Kathryn Maple’s 'The Common' evokes quiet moments of urban mundanity... where nature is seen and celebrated https://t.co/ukudx19VTL

The inspiration for #JMPP2020 prizewinner Steph Goodger’s The Motherland are the red brick pillboxes along the eroded banks of the River Medway. Overpowered by the roots of a tree, they are “instantaneously crushed into a single moment of painful impact.” https://t.co/ukudx19VTL