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‘This is one of a series of fictional landscapes referencing the work of Caspar David Friedrich. The series also draws upon my memories of growing up in a remote part of Wales.’ 🥾
This Could Be Eastern Europe, acrylic on canvas, by Gareth Kemp from #JM2016 @artistkemp
‘For me the most beautiful thing about painting is that it can transcend me. I try to explore our approachs towards understanding the complexities of nature, humans & the universe in which we reside.’
The Thunderous Silence of Your Presence by #JM2018 prize winner Tom Howse ⚡️🌱
‘SUNDAY’ by Karl Bielik from JM2016, oil on canvas.
‘Irregular canvases cover the studio walls & floors, I shift from one painting to another, experimenting playfully with mark making’ 🎨💚
#JMPP2020 #contemporaryart #painting
Alli Sharma, Ingrid 2 (A Kind of Loving), oil on canvas, #JMPP2014
'Painting allows me to take an ambiguous glance at my past & the emotional investments we make. This is inspired by British social realism... the spotlight is on female characters, not the angry young man.'
'Slump/Fear (orange/black)' by Alexis Harding won #JohnMoores 23 in 2004, a detail from which is today's vintage catalogue cover. Here's another opportunity to watch Jarvis Cocker, a judge that year, talk about the art of painting https://t.co/uKeVIx3p1p #JM2018 #jarviscocker
Zoom in on 2002 John Moores first Prizewinner, Peter Davies 'Super Star F**ker - Andy Warhol Text Painting'. It's on display now in our past prizewinner's display #JarvisCocker @walkergallery https://t.co/yp4Qmk4pUj #JohnMoores #JMPP18
Have you visited John Moores Painting Prize 2018 judge and Turner Prize nominee, Lubaina Himid's Meticulous Observations and Naming the Money installation? It's on now at @walkergallery https://t.co/MqSfZOgB44
#spotlight: A bout portant by Simon Williams presents a visuals from advertising, packaging and digital technology. https://t.co/QCekQlevdI