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‘For me the most beautiful thing about painting is that it can transcend me. I try to explore our approachs towards understanding the complexities of nature, humans & the universe in which we reside.’
The Thunderous Silence of Your Presence by #JM2018 prize winner Tom Howse ⚡️🌱
Alli Sharma, Ingrid 2 (A Kind of Loving), oil on canvas, #JMPP2014
'Painting allows me to take an ambiguous glance at my past & the emotional investments we make. This is inspired by British social realism... the spotlight is on female characters, not the angry young man.'
'Slump/Fear (orange/black)' by Alexis Harding won #JohnMoores 23 in 2004, a detail from which is today's vintage catalogue cover. Here's another opportunity to watch Jarvis Cocker, a judge that year, talk about the art of painting https://t.co/uKeVIx3p1p #JM2018 #jarviscocker
Zoom in on 2002 John Moores first Prizewinner, Peter Davies 'Super Star F**ker - Andy Warhol Text Painting'. It's on display now in our past prizewinner's display #JarvisCocker @walkergallery https://t.co/yp4Qmk4pUj #JohnMoores #JMPP18
#spotlight: A bout portant by Simon Williams presents a visuals from advertising, packaging and digital technology. https://t.co/QCekQlevdI
#JM2016 artist @stephgoodger is selling 7 signed limited edition prints to raise money for Help4Refugee children. https://t.co/OOzpqHizEg
Storyboard, a new exhibition at @LubomAngsHughs features a whole host of #JM2016 artists including Gareth Kemp https://t.co/yTSESNzwpC
#spotlight: Steve Moberly explores how the act of painting excavates the layers that underpin relationships. https://t.co/QCekQlevdI
#spotlight: This Could Be Eastern Europe by Gareth Kemp is part of a series of fictional landscapes. https://t.co/QCekQlevdI
#spotlight: The Unclaimed by Steph Goodger depicts a morbid scene of dead Communards lying in their coffins https://t.co/xkndAUxhIx