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"I'm interested in painting energy that flows, the expansion and compression of form, the diversion of a line, the spatial impressions of colour"
Wet Casements
Oil on Canvas, 50x70cm by Brendan Lancaster from #JM2012 🍃
"Working from photographs, drawings and recalled social observations, I try to depict fleeting interactions or moments of failed intimacy"
Birthyard
Oil on canvas, 167.8 x 152.4cm by #JM2016 prize winner Gabriella Boyd
Did the #JMPP2020 jurors get it right? Have your say - cast your vote for the #JohnMooresPaintingPrize 2020 Visitors' Choice by Monday 3 May 👉 https://t.co/x5E8f6OMlw
1/3 Rachel Glittenberg
Night Swimmers
2020
Acrylic on canvas
122 x 152.5 cm
"This is my interpretation of Édouard Manet’s painting, 'Le Déjeuner sur l’herbe'. I wanted to portray a scene which is universally recognisable yet, on closer inspection, is unsettling...
#JMPP2020 FIRST PRIZE WINNER! Congratulations to Kathryn Maple whose painting 'The Common' was selected by the jurors as the 31st winner of the competition. Watch the jurors discuss their rationale and hear from each of the five prizewinners here: https://t.co/bsbHfyLe8u
"My paintings often come together like a collage, with the subject emerging from filtered shapes and bursts of colour." #JMPP2020 prizewinner Kathryn Maple’s 'The Common' evokes quiet moments of urban mundanity... where nature is seen and celebrated https://t.co/ukudx19VTL
The inspiration for #JMPP2020 prizewinner Steph Goodger’s The Motherland are the red brick pillboxes along the eroded banks of the River Medway. Overpowered by the roots of a tree, they are “instantaneously crushed into a single moment of painful impact.” https://t.co/ukudx19VTL
‘This is one of a series of fictional landscapes referencing the work of Caspar David Friedrich. The series also draws upon my memories of growing up in a remote part of Wales.’ 🥾
This Could Be Eastern Europe, acrylic on canvas, by Gareth Kemp from #JM2016 @artistkemp