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Top tip: if you're illustrating and hoping to get a book published, don't write words on the art! Translation is key to a book's success, so designers need to be able to take away the English and add text in other languages. (Leave extra room for German! It takes more space)✍️🎨
Here are the thumbnail roughs for 'Don't Call Me Grumpycorn' when I was a bit further along in illustrating my story. I like to pop everything into the grid to keep track of my progress and see how the overall story's shaping up. ✍️🎨 #illustration @scholasticuk
Four of today’s Titian #PortraitChallenge interpretations of Suleiman the Magnificent over at @StudioTeaBreak, by @Buntnuk Rudra (via @DadMoonstruck) @vicadoscam @edelholtz ✍️
@KhmWien https://t.co/WCrqdgmy2K
Four of this week’s #PortraitChallenge interpretations of Rogier van der Weyden’s ‘Magdalen Reading’, by @JoBradleypaint @jayceek33 @IkariAkihime @edelholtz ✍️
@NationalGallery @StudioTeaBreak https://t.co/WHgfhuI33s
When you feel like you’re being watched 👀👀👀
#FrancescoBotticini @NationalGallery
A mermaid painting for Jo Cameron @9peace8, our designer on the first five Reeve & McIntyre books 💛 @OxfordChildrens @philipreeve1
Here was the original Jinks & O’Hare story in @phoenixcomicuk - written by me, drawn by @philipreeve1, coloured by me. For the book, we added the main character of Emily, aspiring funfair mechanic.
https://t.co/edx2uDjnRn
Nine years ago today, @philipreeve1 & I had a 4-page comic published in @phoenixcomicuk, one of our first projects!
It was a dare: I’d write it, Philip would illustrate. Years later we turned the idea into our 4th book, ‘Jinks & O’Hare Funfair Repair’: https://t.co/zeLOxIUWCF