katya🍒カーチャさんのイラストまとめ

(Fansub on left, Dan Kanemitsu’s translation for Netflix on right)
Translation is an art, not a science, and reading Dan’s comments re: all this he said he wants to leave it open to interpretation... but was that his choice to make? you decide🤪
Fansub doesn’t take liberties

@merchantarthurn You think a guy who pulls a face like this is drowning in attention?

@_monodes_ Djungelzawa

Oguro; “When you say hands, you mean from the wrists?”
Kameda; “Correct. Since there’s plenty of shows where character hands are tiny, such as Dennou Coil [Coil, A Circle of Children] and Crayon Shin-chan, I wanted Mob Psycho 100’s characters to have big hands.

@_monodes_ Only reference given is this

*The isekai is actually the landlady’s… ?!*
“The isekai that Reigen and co. lose their way in was made in the image of the inside of the landlady’s nose. The black trees growing in the wasteland are based upon nostril hairs, and coiled around that wart-looking boulder is…”

‘Mabuta no Ura’ was written while envisioning a dream - the you that you don’t usually show others, and a sense of misery… I wanted to express that. Feeling jealous of someone else - that emotion is sung straight.”

Oguro; “Did the two of you invite all the people we see as animation supervisors and genga producers to participate in animating Mob Psycho 100?”
Kameda; “Mob Psycho 100’s sakuga team flowed in pretty thick from Space Dandy.”

Kameda; “Matsumoto Taiyou-san’s manga, ‘GoGo Monster’, has a boy with bobbed hair in it. His hair appears incredibly 3D. I thought to myself, ‘Ah, maybe this is the effect I’m after’, so I drew Mob-kun using this bobbed-haired boy as a reference.”

Oguro; “The way Mob Psycho 100 looks is pretty different from standard mainstream anime, thanks to those blurry shadows.”
Kameda; “I think that’s also thanks to ONE’s character designs. For example, eyes not having highlights, just dark eyes.