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Pindaric flights - voli pindarici PhD: classical archaeology & Greek - Concern: civilization and more perfect unions

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# otd thenewyorkercover constantinalajálov squash princevaliant halfoster illustration illustrationart illustrationartists jcleyendecker dressmaking march soldember spaceart spacestation spacecraft astronauts astronautics reairvin airport airtravel wintervacation servants chauffeur marchwinds roberthenri americanart ashcanschool landscape

the chains of tradition, which is represented by an old crouching shrew [& below], that had bound women. In the background, a freed woman heads toward the light of her new position in the world. The eight small panels on both sides depict women engaged in their newfound roles.”

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2023-03-09

in 1936
carry-over sport
Cover of The New Yorker, March 7, 1936
Constantin Alajálov

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2023-03-07

2: ‘So when, from her tower, she sees Prince Valiant returning she tidies her hair, puts on her most becoming gown and smiles a thoughtful smile.’

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2023-03-05

in 1932
Cover of The Saturday Evening Post, March 5, 1932
Illustration by J. C. Leyendecker (1874-1951)

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2023-03-05

in 1933
Cover of The New Yorker, March 4, 1933
Rea Irvin

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2023-03-04

“I’d like to give you a present,” Wade said. “I’d like to think you sometimes wore it.” Illustration by Edwin Georgi (1896-1964) for...

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2023-03-03

in 1941
Return of the snow birds
Cover of The New Yorker, March 1, 1941
Constantin Alajálov

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2023-03-01


‘The March Wind’ Robert Henri (1865-1929). Oil canvas. 1902.

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2023-03-01

Dear Uta! All those balloons can only mean...
Happy Birthday! Hope you're having a day that's festive and fun beyond your wildest dreams!❤️💐

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2023-02-28