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Pindaric flights - voli pindarici PhD: classical archaeology & Greek - Concern: civilization and more perfect unions

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In the Amusement Zone of the New York World’s Fair, between 1939 & 1940 seasons, snow covers Salvador Dalí’s ‘Dream of Venus’ pavilion.
The Fair’s ‘World of Tomorrow’ thus includes the surrealist 'funhouse of tomorrow', where...

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in 1937
Cover of Fortune magazine, February 1937
Illustration by Antonio Petruccelli (1907-1994)

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- the Ashcan School
‘Snow Dumpers’ George Bellows (1882–1925). Oil on canvas. 1911.

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Thank you, Bryan, for this kindness. Wishing you and all out friends a glorious day:
‘Cora Kneeling at the Feet of Tamenund’ Scene from The Last of the Mohicans. Thomas Cole. Oil on canvas. 1827.

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The New York City Pavilion, the only structure meant to be permanent, now home to the Queens Museum, was actually the headquarters of the United Nations until its building in Manhattan became available.

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The of 1933-1934 - the Public Works of Art Project (PWAP)
‘Manhattan Skyline’ John Cunning (1889-1953). 1934. Oil on canvas. Smithsonian American Art Museum. Transfer from the U.S. Department of Labor.

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in 1925
‘Eustace Tilley’ on the very first issue
Cover of The New Yorker, February 21, 1925
Rea Irvin

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- the Ashcan School
‘The Palisades’ George Bellows (1882-1925). Oil on canvas. 1909.

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