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Tezzo Suzuki, asemic writing for a Tokyo book exhibition, 2017. @tezzosuzuki
Victor Vasarely, Vasarely IV (Plastic Arts of the Twentieth Century), 1979.
Specimen booklet for Choc (typeface by Roger Excoffon), Fonderie Olive, France, 1955. See the entire specimen on the Online Archive. https://t.co/dGmLO9euyC
Armin Hofmann (1920–2020), Graphic Design Manual: Principles and Practice, 1965.
Detail from a specimen booklet for Garamond (typeface by Francesco Simoncini and Wilhelm Bilz after Claude Garamond), Ludwig & Mayer, Germany, 1961. See the full booklet in the Online Archive. https://t.co/jmnGHt9rX2
@LucyKnisley @kateleth As longtime readers, we’re blushing to be mentioned by Lucy. For your walls, may we suggest:
1. https://t.co/Ht6pxaFIsl
2. https://t.co/QPmx6QHlK8
3. https://t.co/2ZF06jzXpj
Sigrid Calon, detail from page 33 (green and black) of Riso Book: Squares Circles 1/1, 1/2, 1/4, 1/8, the Netherlands, 2020.
Russell Maret, Æthelwold Etc: Twenty-Six Letters Inspired by Other Letters and Non-Letters and Little Bits of Poetry, facsimile edition published by Editions Schlechter, New York, 2013 (orig. 2009).
Bi-fold pamphlet exhibition announcement for “Mary Hansen: Die Kunst des Marmoriens”, Klingspor-Museum, Germany, 1969. Get a closer look in the Online Archive. (We find it makes a very soothing phone wallpaper.) https://t.co/y9rzO8EwSm
Camille Sibucao, Ichkhambay Bold ouija board-themed type specimen, Type@Cooper West Extended Program, 2016. Less than one week remaining until the application deadline for the Type West class of 2021, now entirely online. Submit your portfolio at https://t.co/1CVZ8UrgbP.