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Alphonse Mucha, Le Pater, printed and edited by F. Champenois, published by Henri Piazza & Co., Paris, 1899.
The Landscape Alphabet: Letter Shapes as Attractive Vignettes, Hurtwood Press Limited, Great Britain, 1987. Facsimile of an 1830 edition.
Jean Midolle, Alphabet Diabolique, Emile Simon fils press, France, 1835. Read more about Midolle from guest author Dan Reynolds @typeoff: https://t.co/RjNPkNU1GB
J. F. Earhart, The Color Printer: a Treatise on the Use of Colors in Typographic Printing, Earhart & Richardson, Cincinnati, 1892. Samples of nine different patterns of embossing, from one plate made with punches.
Specimen for Schönschrift Mozart, typeface by Georg Belwe, Ludwig Wagner Type Foundry, Leipzig, 1927.
Christina Forchner (illustration) and Volker Küster (typography), »Korpus« entdeckt das Buchstabenland (Korpus Discovers the Land of Letters) calendar, TYPOART, Germany, 1977.
Specimen for Estro (typeface by Aldo Novarese), Società Nebiolo, Italy, 1961. See more of this and other Nebiolo specimens in the Online Archive: https://t.co/TCqFc4cEvg