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Just under 2 weeks until the abstract deadline for Victorian Colour Revolution: the Nineteenth-Century Chromatic Turn, the @ercchromotope panel @forarthistory's conference.
Please RT - we would love to hear from any scholars interested in Victorian colour! #ForArtHistory2023
Twittering away in the @AshmoleanMuseum Western Art Print Room this afternoon with Henry Stacy Marks. 🐦
'Sulphur-Crested Cockatoo' (1877)
'Studies of white-crested laughing thrush, cock of the rock and red & yellow macaw' (c. 1880)
I’m excited to spend the next few months making headway on a project thanks to a @PaulMellonCentr Research Continuity Grant
'The First Covenant: Victorian art and the Old Testament, c.
1850-1897’ will look at the unique role the Old Testament played in Victorian visual culture.
Ah, what a lovely surprise to log on to! Fanny Eaton is today’s #GoogleDoodle @heartchitecture @robertjwilkes @boccabaciata
Looking forward to Tim Barringer's first Mellon lecture this evening @NationalGallery on global panoramas - reminding me of Lisa Reihana's amazing installation at the #Oceania show. @PaulMellonCentr @royalacademy
Scenes from David Wilkie’s Sketches in Turkey, Egypt and Syria (1840-41). Thanks to the @royalacademy newly vamped and interactive website.
@cait_silberman I was flipping through a Leighton catalogue this morn and thought of your paper! ‘Girl Feeding Peacocks’ 1863 @AnxiousForms
A rare watercolour by a young student Leighton. ‘Reconciliation of the Montagues and Capulets’ (1854), @YaleBritishArt #ShakespeareSunday
excited to speak @YorkArtGallery today on this Moore painting and Orientalist influences in the collection!