Mark B. Schlemmerさんのイラストまとめ

Do I always find the St. Sebastians, or do they find me? 🤔 In any case, I was happy to stumble upon this painted terra cotta @ngadc. It lacks the tell-tale arrows, but the empty punctures still seem brutal. #MatteoCivitali, ca. 1492. #ITweetMuseums #SaintSebastien #MyNGAdc

Still thriving on the energy of marching in @NYCPrideMarch last night with friends & @NYHistory colleagues. I'm also exhausted, but it was worth it. #pride #Stonewall50 #WorldPrideNYC

Hey @DCGregStevens, look who I ran in to at #AAM2019 Party at @NOMA1910. Hannah & I are representing @HallCommArts Museum Professions Master's Program with panache! (And with just a *few* years' difference in our graduation dates.) #AAMSMJ

There's a fascinating 200+ year old Chinese House, Yin Yu Tang, in @peabodyessex. It's the Huang family ancestral home and was moved to Salem, MA in the 1980s as a form of cultural exchange. The furnishings speak to myriad epochs and societal shifts. #ITweetMuseums

The @ngadc has a swoon-worthy gallery of #ElGreco paintings. I always love it when they include hints of #ToledoSpain somewhere in the background, as in Laocoön, ca. 1610-14 & Saint Martin and the Beggar, 1597-99. #ITweetMuseums #MyNGAdc #ToledoEspaña

I have this weird obsession with contemplating just how many casts of Rodin's The Age of Bronze (L'Age d'Airain) exist in the world. It was modeled in 1875-6, but cast for many years after. These two versions are both from the @ngadc collection. #ITweetMuseums #Rodin #MyNGADC

...visitors getting completely absorbed in the #HilmaAfKlint canvases @Guggenheim.

Go go go go go go go go go see the exhibition before it's gone.

#ITweetMuseums

My 1st time in Paris was 1992. I've been back 21 times, most recently just 2 months ago. Every visit includes a trip to #NotreDameDeParis. I have albums full of Paris memories, including these now poignant photos. Seems weird to feel the loss of architecture, mais je suis triste.

...in this sketch, #PavelTchelitchew forced me to come in close to explore the drowsy gaze he so brilliantly captured in just a few swift lines. I also loved that this was created for George Platt Lynes on his birthday, a telling and intimate detail. #ITweetMuseums

I always appreciate getting to see the work of #PaulCadmus from the 1930s-40s contextualized with his peers, and was thrilled to see at @davidzwirner, for the first time in person, his startlingly brutal Herrin Massacre, 1940, on loan from @columbusmuseum. #ITweetMuseums