Graham Morganさんのプロフィール画像

Graham Morganさんのイラストまとめ


Like art, Northern Art when not ‘faux’ Lowry, running, but marathon days are long since gone, border collies (on my fourth), Berlin and the Yorkshire Dales.

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I’m a big fan of Norman Cornish, who included washing lines in many of his paintings. I particularly like ‘Wash Day’, where the drying ground is also used to graze a horse while children and their dog play on it. Fantastic art and social history. (Private Collection)

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Four linocuts by Cyril Power, best known for his artistic partnership with Sybil Andrews and for co-founding the Grosvenor School of Modern Art in 1925.

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Norman Cornish (1919-2014), best known of the pit men painters of County Durham, became a full-time artist at the age of 47, when a back injury brought to an end 33 years of mining. His subject remained the lives of those who lived and worked in his home town of Spennymoor.

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‘Firth’s Mills, Bailiff Bridge’ by Leeds artist Geoffrey Woolsey Birks (1929-1993). He wanted to capture the fast disappearing atmosphere of the industrial past of the West Riding of Yorkshire. (Calderdale Metropolitan Borough Council)

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‘End of the Day, High Level Bridge’ by Barrow artist Bill Bell (1928-2006) shows the famous Vickers crush. Bell worked at Vickers all his life and his paintings were inspired by what he encountered every day. (The Dock Museum)

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‘Pub Entertainer’ by Roger Hampson(1925-1996). His paintings portrayed the close knit community spirit among the miners and mill workers of his home town of Bolton. (Salford Museum & Art Gallery)

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‘Pit Road with Telegraph Pole and Lights’ by Norman Cornish. Although for many years a miner himself he rarely painted work underground, preferring to capture the daily walk to and from the pit. (Northumbria University Gallery)

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‘Shunting Engine-Night’ circa 1954 by Kenneth Gribble (1925-1995). Thought to be Guide Bridge Goods Yard, Manchester. Gribble produced some of his best work in the late 1950’s when Principal of the art school in Ashton-under-Lyne. (Sold at Wright Marshall in 2015)

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‘Snow Scene, Red Lane, Disley, Cheshire’ by Ian Grant (1904-1993). Exhibited regularly at the Manchester Academy and the Midday studios. Well known for the subtle blue, pink and orange tints of his snow scenes. (Derby Museum and Art Gallery)

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‘Edward Street, Man Walking Dogs’ by Norman Stansfield Cornish (1919-2014), Northumbria University Gallery. A former miner who lived and worked in in County Durham, Cornish’s work portrays community life and leisure, but there are few pictures of work underground.

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