//=time() ?>
#onepiece1016
The angle provided an amazing pose for Ulti, but it made the headbutt effect obscure her head unfortunately. The blood trail gives the effect more graininess. The floor smash effect adds back the dimension Oda took away with this angle by erupting behind Usopp.
#onepiece1016
What I love the most with this panel is Ulti's pose! She sends her hands back to bring her head forward more and it looks super cool! Poor Usopp his head went down so fast his legs did the scorpion 🦂 thing. I love the front view angle Oda chose!
#onepiece1014
Oda adds grainy lines inside the blacks of Kaido's hair, tattoo, and cape. This shows just how much pressure is being produced by the attack. There's almost no fight back, so the air around Kin'emon just bursts out everywhere. It's drawn like a death panel.
#onepiece1014
Both Kin'emon and Kanjuro are facing forward, where usually Oda draws sword finishers with opponents looking opposite of each other. It's because Kanjuro was aiming for Kin'emon's back, making Kin'emon spin around to deliver the blow rather than going through him.
Happy Birthday Conis! I commissioned the lovely @howell_planter for this adorable piece.
Conis was such a lovely and nice person. I also really loved her design, from the angel playing the harp motif, to the adorable cloud fox Su always around her arms. She's a bundle of joy ☺️ https://t.co/5Wwg5ccR0y
Bro, Ryuma and Yasuie, along with Koushirou, Zoro's mentor, all come from the same family, the Shimotsuki family...
To celebrate Carrot ranking 8th, here's a short comic where she beats the sh*t out of Perospero 🤤
This commission was done by the amazing @Upock_