👻🦚 Salem 🦚👻さんのプロフィール画像

👻🦚 Salem 🦚👻さんのイラストまとめ


He/Him - 98.72% #OnePiece content - Official Manga release only - PFP by Ashley Morales - I art sometimes - Sanji Stan - Perona best girl

フォロー数:118 フォロワー数:187

Ever since I saw Funkfreed, I hated how we won't get to see a hybrid elephant person, which are so cool in other media! Now we have another chance with Jack! Don't take it away from me 😭😂

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Jimbei and Lucky Roo wearing the same style glasses https://t.co/jN7evOCPHq

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I wanted Rebecca to have a moment as a fighter but he didn't allow her and I held a grudge ever since

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Streusen was there when Linlin ate Caramel and the kids, then he was surprised she had abilities, implying there wasn't a moment where he saw her eat a Devil Fruit.

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After the TS, we didn't know how her New weapon produces its effects. Then Usopp upgraded it, w/o the magic thing, and made it one segment instead of 3, and then she got Zues in it. Oda kept compounding onto it while still not explaining how it basically works. 2/3

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With the theme of the fire festival heavily related to reaching the spirits of the dead, I think Brook will have a big moment in this Arc. His awakened DF might be able to extend his revive ability to others, temporarily giving them access to the material world.

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The angle provided an amazing pose for Ulti, but it made the headbutt effect obscure her head unfortunately. The blood trail gives the effect more graininess. The floor smash effect adds back the dimension Oda took away with this angle by erupting behind Usopp.

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What I love the most with this panel is Ulti's pose! She sends her hands back to bring her head forward more and it looks super cool! Poor Usopp his head went down so fast his legs did the scorpion 🦂 thing. I love the front view angle Oda chose!

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Oda adds grainy lines inside the blacks of Kaido's hair, tattoo, and cape. This shows just how much pressure is being produced by the attack. There's almost no fight back, so the air around Kin'emon just bursts out everywhere. It's drawn like a death panel.

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Both Kin'emon and Kanjuro are facing forward, where usually Oda draws sword finishers with opponents looking opposite of each other. It's because Kanjuro was aiming for Kin'emon's back, making Kin'emon spin around to deliver the blow rather than going through him.

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