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Leaving Scapa Flow, Eric Ravilious, 1940. The original artwork is in the collection of @BradfordMuseums #WW2
Rye Harbour, Eric Ravilious, 1938. The unusual lighthouse seen in this view of Rye in East #Sussex, which appears in a couple of his works, is sadly no longer there. The original artwork is in the collection of @IngramColl.
The Attic Bedroom at Brick House, Eric Ravilious, 1932. This was painted at Great Bardfield in #Essex, and the original artwork is in the collection of @FryArtGallery.
View Through Propellor, Eric Ravilious, c.1940. An early example of his work as a war artist and his fascination with flight. The original artwork is in the collection of @TownerGallery. #WW2 #RAF
Strawberry Nets, Eric Ravilious, 1932. This watercolour was commissioned by Sir Geoffrey Fry at his country home Oare House, near Pewsey, in #Wiltshire. The original artwork is in a private collection.
Still Life with Acanthus Leaves, Eric Ravilious, 1938/39. The original artwork is on long term loan to @FryArtGallery. An unfinished work, made as he was about to leave to join the Castle Hedingham Royal Observer Corps at the start of #WW2. #Essex
The James and the Foremost Prince, Eric Ravilious, 1934. This depicts a tug and dredgers at Newhaven harbour in East #Sussex. The original artwork is in the collection of @TownerGallery.
The Waterwheel, Eric Ravilious, 1938. It depicts a scene at Capel-y-ffin in #Wales. The original artwork is in the collection of @yGaer_Brecon.
Two Women in A Garden, Eric Ravilious, 1932. Painted at Brick House, Great Bardfield in #Essex, it depicts Tirzah Garwood, Eric’s wife, and Charlotte Bawden, who was married to artist Edward Bawden. The original artwork is in the collection of @FryArtGallery.
The Cement Pit, Eric Ravilious, 1934. One of two cements pits near Furlongs in East #Sussex. The original artwork is in a private collection.