Dr. Matthew Teutsch, (Re)discover Frank Yerby!さんのイラストまとめ

Since I'm reading Dumas right now, ordering @AyizeJamaEveret The Last Count of Monte Cristo. It drops just in time b/c we leave for Marseille in early May and we're headed to the Chateau d'If! If it came out earlier, students would be reading for trip! @JIJennings @ABRAMSbooks

Picked up my pulls today, and wow! @Cbrown803 @prenzyx Flawed is awesome! The over the top gore like On the Stump! @chrissywilliams @OG_lalalalauren Golden Rage #3 is superb! The story continues to be amazing! Plus @jacobr_phillips @ChristophCondon TTB, just WOW!

"What We Don't Talk About" by @Zolwia @AveryHillPubl is not an easy read, by any stretch, but thinking about it today, I ultimately see beauty and love within it. https://t.co/JkOnmTWZbj

The more I look at @TheRodneyBarnes @jasonshawnalex Killadelphia, the more amazing it becomes. Latest post on Jupiter and Sally Hemmings. More to come! @Nate_Powell_Art https://t.co/gtslfsElMY

Thank you @TheRodneyBarnes for speaking with me about Killadelphia for my upcoming class. There's a lot to talk about with students! Plus, we had to name drop @JIJennings b/c he introduced me to the series & defined, with @SWCarpenter "Ethnogothic." https://t.co/DcI7uQXFPM

So @creneebailey has me pumped for my fall class, “Monsters, Race, & Comics.” Teaching @TheRodneyBarnes @jasonshawnalex @victorlavalle @DenysCowan @DMcDuffiePage @real_pornsak @josevillarrubia & more. If anyone wants to Zoom with my class, let me know! https://t.co/cCVlBaVncg

Here is the early draft of the “Monsters, Race, and Comics” syllabus. @real_pornsak @victorlavalle https://t.co/DRKyCek1YV

With the #MsMarvel trailer dropping, I keep thinking I need to tach @GWillowWilson & Alphona's Ms. Marvel again. Especially this panel! Thank y'all @MiniB622 for #KamalaKhan https://t.co/2lJU4L1hAi

Flyer for next fall's class. Thanks for all of the suggestions. This is not complete list of texts, by a long shot! @victorlavalle @real_pornsak @olmancampbell

@plcphd @JulianChambliss @shengokai narratives here as well. That's why I really like the final page in this issue and these panels, the movement to the past. 2/2