Dapper Dan Gvozdenさんのイラストまとめ

Solicits for Amazing Spider-Man #27 and #28 reveal that Otto has refashioned his tentacles to be more animalistic (like he did in the 90s) and deadly (as illustrated by @ed_mcguinness). Plus, confirmation of a death in issue #26.

A year into Zeb Wells' Amazing Spider-Man (vol. 6) we will be at 24 issues. 14 of which were illustrated by John Romita Jr. Imagine if this book were monthly instead of biweekly, just the Romita issues, how well this run would be received. How do we ditch this schedule?

I haven't dug Amazing Spider-Man during DARK WEB, but who am I to deny the effortless charm of the overconfident, doofus Rek-Rap!

It bothers me that the X-Force comics remember Kraven's new status quo better than the Spider-Man comics do.

It's been 8 years since we've seen the Hobgoblin in the pages of a proper Spider-Man comic (Superior #26). That ends tomorrow in Amazing Spider-Man (vol. 6) #11 and I couldn't be more excited! Especially since it has my favorite creative team in years: @zebwells @JrRomita @Menyz

Plus Venom, Ms. Marvel, and X-Men all have their own ties into the story, which kicks off in December. I'm very timid about this thing, not having any history with the Goblin Queen... but... who knows? Maybe Zeb will surprise me again. (2/2)

Issues #13-14 introduced VEGAS, a Western hero. Honestly, I'm not quite sure why these stories made it into this line, as they really buck the genre of the Amazing Fantasy line.

Almost 10 years later, in 2004, the title was once again dusted off for a Volume 2 and a new #1. This time Amazing Fantasy was the home for Araña, a new female webslinger who has since become Spider-Girl in the 616.

Even when he begs for it, Norman tells him "No." Forcing him to think smart and come up with his own solutions, which is what we like about Spider-Man comics. Well, at least what I like about Spider-Man comics.

And here, we don't need to see Spider-Man run away, inside Oscorp. Romita expertly reflects the skylight on the building. It's the kind of thing that saves pages of storytelling and allows us to spend time on the emotions rather than the physical actions of the scene.