Park Lore✨さんのイラストまとめ

5. The Living Seas (1986 - 2005) transformed the trip to an '80s seabase into an epic underwater journey. (https://t.co/JiqpjOPKka)

THE SEAS WITH NEMO & FRIENDS (2007 – Today) adds a cartoon clownfish and extended dark ride entry.

Read more & compare: https://t.co/YMhYKPhpqL

1. Adventure Thru Inner Space (1967 – 1985) was a mid-century remnant of Walt's New Tomorrowland. (https://t.co/AeNh8inVDp)

STAR TOURS (1987 - Today) was the first "Ride the Movies" E-Ticket of Eisner's era. (https://t.co/EXe6UrYam3)

Read more & compare: https://t.co/YMhYKPhpqL

I also have a spiral queue leading down to the water's edge, into the cliffs, and to a version of Tokyo's 20,000 Leagues Under the Sea – here, a suspended "submarine" dark ride where riders in sub pods control flashlights, exploring the ocean's depths.

Gallery of Wonders is also the pivot point, leading from the grounded Wharf District into the more fantastical Hyperion Harbor, wrapped in rockwork. There, a rising boardwalk overlooks the bay and its literary vehicles, gaining in elevation until it reaches an airship dock...

I'm not at all ripping on the artists, actors, writers, or musicians who bring the "live action remakes" to life when I say that they exist for one purpose: to make a billion dollars. They can be fun, nostalgic, quality movies... but they exist to make bank, then disappear.

@brielarson Just me?

@PixieDustVibes “Disney” is definitely the new prefix for the company post-2010, so I’m sure since they were launching a new logo for the park they decided to just go for it. That’s why I’m surprised they didn’t do it with DHS’s new logo, but probably because then what about DAK.

To @madnesskingdom's point, we see WDI as content CREATORS; the parks as a "spigot" from which new characters, stories & worlds flow! To us, Parks belong next to Pixar, Marvel Studios, or ABC on the organizational chart – where content comes from...

READ: https://t.co/DsZayEjZ7E

So on this day, 32 years ago, the course of Disney Animation was reset. The Little Mermaid was the spark of the Disney Renaissance – a decade-long era producing an unstoppable string of beloved musical adaptations of fairy tales, myths, and legends.

https://t.co/1dRGVeqw5l

It was divided into two realms – Future World and World Showcase – each in turn populated by large pavilions focused on a single area of industry or country. The dichotomy is so unique, “Disney legend” holds that it was two models of two parks mashed together at WDI.