Tyler Greenさんのイラストまとめ

@ClevelandArt @janecalexander The gift includes a number of fine John Marin watercolors.

This 1928 Marin of a view from Maine's Morse Mountain compresses space wonderfully. (Those diagonal lines in the grassy ground!)

From the superb @peabodyessex exhibition of John Thomson's 1870-71 pictures of SE China, Yuen-Fu Rapid.

@newmuseum @Spotify For example: de Kooning in 1983 @museummodernart, 1987 @whitneymuseum.

(He was diagnosed with Alzheimer's in 1989.)

Barry X Ball explains how his examinations of major sculptures extends a long history of other artists adding to those same sculptures. He's @nashersculpture and on the new MAN Podcast!

https://t.co/fnf7Y06T5L

@ApplePodcasts: https://t.co/6fkT1Edi3x

New MAN Podcast!

Peter Saul @newmuseum; Barry X Ball @nashersculpture!

https://t.co/fnf7Y06T5L

@ApplePodcasts: https://t.co/6fkT1Edi3x

On President's Day I find myself writing about Gilbert Stuart's 1796 Athenaeum portrait of Washington. (In 1980 the Boston Athenaeum sold it to @mfaboston and @smithsoniannpg.)

Acquired by the Athenaeum in advance of the 1832 GW centenary, you know it from the $1 bill.

A hard-earned Nathan Oliveira, 1958's Reclining Nude @StanfordArts's Anderson Collex. The space, more than the figure, seems the thing.

@TheHuntington Anyway, @TheHuntington has hung LACMA's vagabond Lawrence with its great, great ~1823-26 Constable of Salisbury Cathedral.

The Huntington needed another British portrait like LACMA needed another tweet from me, but so what? This is a wonderful pairing.

Melvin Edwards might be the most underrated sculptor in 20th-century art; his 'lynch fragment' works are among it's greatest achievements.

From that series, Afro-Phoenix #2, 1963 in SOAN @deyoungmuseum.

Chiura Obata and the Japanese-American experience of WWII: first the chaos of dislocation (1941, at left), then the atomic bombings of Japan (1945, at right).

Curator ShiPu Wang on his Obata retro @americanart.

https://t.co/58rKEkctHw

@Spotify: https://t.co/PDjXSWnwBx