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From the superb @peabodyessex exhibition of John Thomson's 1870-71 pictures of SE China, Yuen-Fu Rapid.
@newmuseum @Spotify For example: de Kooning in 1983 @museummodernart, 1987 @whitneymuseum.
(He was diagnosed with Alzheimer's in 1989.)
Barry X Ball explains how his examinations of major sculptures extends a long history of other artists adding to those same sculptures. He's @nashersculpture and on the new MAN Podcast!
https://t.co/fnf7Y06T5L
@ApplePodcasts: https://t.co/6fkT1Edi3x
New MAN Podcast!
Peter Saul @newmuseum; Barry X Ball @nashersculpture!
https://t.co/fnf7Y06T5L
@ApplePodcasts: https://t.co/6fkT1Edi3x
A hard-earned Nathan Oliveira, 1958's Reclining Nude @StanfordArts's Anderson Collex. The space, more than the figure, seems the thing.
@TheHuntington Anyway, @TheHuntington has hung LACMA's vagabond Lawrence with its great, great ~1823-26 Constable of Salisbury Cathedral.
The Huntington needed another British portrait like LACMA needed another tweet from me, but so what? This is a wonderful pairing.
Chiura Obata and the Japanese-American experience of WWII: first the chaos of dislocation (1941, at left), then the atomic bombings of Japan (1945, at right).
Curator ShiPu Wang on his Obata retro @americanart.
https://t.co/58rKEkctHw
@Spotify: https://t.co/PDjXSWnwBx
An exhibition @kimbellart demonstrates how Renoir brought French painting traditions into the early modern era.
Curator @gtmshack explains on the new Modern Art Notes Podcast!
https://t.co/z25OhXy1DZ
@ApplePodcasts: https://t.co/6fkT1Edi3x
@ngadc @GettyMuseum The two artists I thought about most in the @GettyMuseum's Manet show were Chardin and Matisse.
Matisse loved, LOVED the French floral still-life tradition, most especially Manet.
Here's a 1906 Matisse @brooklynmuseum.
One of the very best things about the Allan, Beeny & Groom late Manet show @GettyMuseum is seeing Manet riff on Chardin.
This is Manet's 1880 Peaches from @NOMA1910; the Chardin it recalls is this 1768 painting at the Louvre.