Tyler Greenさんのイラストまとめ

Whole lotta Matisse here, obvz. (And Matisse liked to include his own sculptures in paintings, of course, which is Bonnard's most likely immediate reference.)

These Matisses are 1907, 1927.

Hendrik Avercamp details are the best details. ❄️⛸️🥶

From ~1615 @DIADetroit.

Spot the landfill.

An exhibition @kimbellart demonstrates how Renoir brought French painting traditions into the early modern era.

Curator @gtmshack explains on the new Modern Art Notes Podcast!

https://t.co/z25OhXy1DZ

@ApplePodcasts: https://t.co/6fkT1Edi3x

@ngadc @GettyMuseum The two artists I thought about most in the @GettyMuseum's Manet show were Chardin and Matisse.

Matisse loved, LOVED the French floral still-life tradition, most especially Manet.

Here's a 1906 Matisse @brooklynmuseum.

One of the very best things about the Allan, Beeny & Groom late Manet show @GettyMuseum is seeing Manet riff on Chardin.

This is Manet's 1880 Peaches from @NOMA1910; the Chardin it recalls is this 1768 painting at the Louvre.

@Tate @AlbrightKnox @MuseumModernArt Brassai, Vue nocturne de Notre-Dame sur Paris et la tour Saint-Jacques, 1933.

Painting women who were painters (and how the men struggled with it). Bridget Alsdorf on "Women Artists in Paris, 1850-1900" @the_clark and on the new MAN Podcast. https://t.co/VBxAnhjHTg
@ApplePodcasts: https://t.co/yesr9cH1dn

From @LACMA's great @PSTinLA show, I love how 18thC Mexican painting is rich with narratives (plural). This is an Andrés López.

Why is there so much text in 18thC Mexican painting? @LACMA's Ilona Katzew on her @PSTinLA exhib, one of the shows of the year. https://t.co/vO2fr74A1Y
@ApplePodcasts: https://t.co/yesr9cH1dn