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Happy bday, PTA—I wrote about his INHERENT VICE, a film shaggily disguised as a noir about a man solving a mystery, & instead presents us with a man confronting a melancholy truth: everything—lives, eras, and loves—comes to an end.
🎨: @studiotstella
https://t.co/NQRwptCp1a
Happy birthday, Bob.
I wrote for @BWDR about Bob Fosse, his life, his Death, and his masterpiece, ALL THAT JAZZ--a hallucinatory, Felliniesque atom-split of disco-vaudeville burlesque and deathbed autobio excoriation.
🎨: @studiotstella
https://t.co/W9B7lnnV2R
Also, did you know that @BWDR dedicated a whole-ass issue to Billy Wilder last year? And that you can read it? And that you should?
https://t.co/GcBqTbRe8d
ICYMI:
Bright Wall/Dark Room has launched a podcast. The vibe is that of a loose and boozy bar chat (remember those?) after just having seen a movie.
The first movie? MOONSTRUCK.
Subscribe to our Patreon to listen: https://t.co/YpUmfJqmKx
🎨: @studiotstella
"To bet on an uncut gem, to assume worth from its primeval asymmetry, is to risk sacrificing all that you’ve laid down for it. You must look inside, search beyond the flaws, and hope to find the beauty that possibly novas beneath the surface."
https://t.co/viIelbbxvm
“A psychotic drowns where the mystic swims.”
Graham Humphreys private commission.
Emblazon your bod with the emblem of @OneBlakeMinute’s podcast empire and @brianna_ashby’s iconic art, and you’ll be the envy of every Jerry and Jane on the block!
https://t.co/P5DOKBEFlD
The nervy noir UNCUT GEMS is an "at times ecstatic, at times tragic depiction of a deeply-flawed dreamer, of Jewish identity, and the risks and sacrifices taken by both to reveal their beauty within and achieve grace."
#Noirvember
🎨: @brianna_ashby
https://t.co/viIelbbxvm
MIKEY & NICKY isn't the story of two men attempting to escape the mob, nor two men reckoning with themselves—it's the story of two boys wholly unequipped to mediate the complex emotions of male adulthood.
#Noirvember
https://t.co/ADvOp6Yzo6
Here's a #Noirvember thread of the Noir and Neo-Noir pieces I've written for @BWDR: