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MY GOD, THE @NEWBEVERLY IS PLAYING A FREEBIE & THE BEAN / BUSTING 70S BUDDY-COP DOUBLE FEATURE IN FEBRUARY AND I AM NOW BORN ANEW
Check out @BWDR's current (and expanding!) Best of 2019 issue--some absolutely *staggering* writing and artwork is being done, with more to come:
https://t.co/CH3lRMpNmc
If you’re passionate about independent film criticism, please become a @BWDR patron.
You’ll have access to all 80 issues, w/ exclusive artwork by @brianna_ashby & @studiotstella, interviews with folks like @RealGDT, & clickbait-free deep dives into cinema new and old. https://t.co/ERsTtmX8o6
In light of the AMAZING Elaine May news today, do check out @BWDR’s issue dedicated the writer-director-performer. So much good stuff in here:
https://t.co/HLqax7MhXo
@BWDR @studiotstella And, as always, peep this GORGEOUS artwork by @studiotstella:
https://t.co/HsCneYAbzB
35 years ago today, Brian De Palma unleashed BODY DOUBLE into theaters.
I wrote about it for @BWDR--a porn-pop uncanny valley of Hitchcockian anti-reality, heat-warped by sexual obsession into an unhinged flood of Brian D's megatonic, metafilmic id.
https://t.co/HsCneYAbzB
MIKEY & NICKY isn't the story of two men attempting to escape the mob, nor two men reckoning with themselves—it's the story of two boys wholly unequipped to mediate the complex emotions of male adulthood.
I wrote about Elaine May's masterpiece for @BWDR:
https://t.co/ADvOp6Yzo6
On his b-day, read about De Palma's BODY DOUBLE on @BWDR: a smirking, porn-pop uncanny valley of Hitchcockian anti-reality heat-warped by sexual obsession into an unhinged flood of Brian D's megatonic, metafilmic id.
Artwork by the amazing @studiotstella
https://t.co/WtdsvjWJtr