Amid Amidiさんのイラストまとめ

Blair’s Hyacinth Hippo and Red, a page from his classic 1940s book ‘Advanced Animation,’ and a caricature of Blair by a colleague during his MGM years. https://t.co/DmKuYYgRKo

This thread is about the design, but one animator must be singled out: Marc Davis for his animation of Cruella de Vil, one of the all-time classic examples of combining performance with the graphic possibilities of animation.

finally figured out why this Mitchells ad felt familiar

@Jonezee99 @wardkimball

Ward Kimball biographer here. If there's questions about Ward's life or work that keep you awake at night, ask away!

Here's a few slides from a talk I did at an academic conference in France a few years back where I argued that a lot of animation is actually stylized, a middle ground that incorporates both full and limited techniques.

More drawings, first one unidentified, then @wardkimball, a group of assistant animators, and Les Clark.

These are some of the drawings that were presented as a gift to Disney storyman Milt Banta by his animation colleagues upon his marriage in 1943.

Drawings by Bill Justice, Eric Larson, Fred Moore, and Jesse Marsh.

Here's the same outdoor walkway from opposite angles. In the black and white photo, you can see the LA River and Barham Blvd, which leads to Hollywood over the hill.

The UPA Studio lobby. Note the custom UPA mat at the front door in the first image.