Art Canada Instituteさんのイラストまとめ

Our latest newsletter presents a series of 11 unsettling scenes by some of Canada’s most innovative creators, whose works show how the otherworldly can elicit fear and thrills in equal measure. Click here to start exploring: https://t.co/KuUXD2FjCC

🍂🍁 Bring on the colours of fall this #thanksgiving weekend. Highly successful as an illustrator and a painter, Toronto artist Oscar Cahén (1916–1956) designed thirty-eight covers for @macleans.

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🗞 This feature was first published in our popular Friday email newsletter. To learn more about these works and receive exclusive weekly curated content, click here: https://t.co/i0soqZf83k ! 💡

🏆 In honour of International Women’s Day on Monday, we’re highlighting Canadian women artists across the country who have achieved outstanding accomplishments in their careers and paved the way for others to succeed in the art world. #choosetochallenge #internationalwomensday

✨After immigrating to Canada from Detroit in 1968, Lake became a key figure in the avant-garde art scene in #Montreal and then in #Toronto, creating ground-breaking photo-performance pieces that are now celebrated as highly influential works of early #feminist and #activist art.

Get ready for the last #fullmoon of 2020 tonight with this luminous painting by Edward Mitchell Bannister (1828-1901), a Black Canadian artist who was originally from #NewBrunswick and spent most of his adult life in the #UnitedStates.

We can't say we totally miss the kind of hectic last-minute shopping scene that Oscar Cahén (1916–1956) depicted in this December 15, 1952 cover illustration for Maclean's—but what would the holidays be without a little indulgence? #Christmas #Christmas2020 #christmasshopping 🛍

📖✨ This week the ACI publishes "William Brymner: Life & Work" by Jocelyn Anderson, the story of what it meant to be a painter and teacher in the wake of Confederation. Read our latest free online publication here: https://t.co/jondAkYGQW ! 👉✨

On #InternationalLiteracyDay, we’re celebrating our love of reading in all its forms. We believe that all readers should have access to free, authoritative content on Canadian art and its history—in both official languages—regardless of access to physical libraries or museums.