BAS21 - The British Art of Suburbanism in the 21cさんのプロフィール画像

BAS21 - The British Art of Suburbanism in the 21cさんのイラストまとめ


We're enjoying suburbanism, suburbia and suburbs, as portrayed in 21st century UK art.

フォロー数:4 フォロワー数:1425

Summer trip A27 & Slow. 2020/21. Emily Jolley. From a series of works observing road and motorway travel from the driver's perspective; here the landscapes of regular journeys are instantly familiar, showing a shared experience.

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Weston and Weston and Beloved Beeston Hill, 2018-2021. on wood. JiEM with Collaborative paintings of everyday life and community that draw from murals and folk art to inhabit the very world they observe.

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Cul-de-sac. 2010. Erin de Burca. on linen. Such homogeneous housing could be anywhere in the British Isles - an amalgamation of everyone's needs & preferences. The winter trees, stripped of leaves & character, stand impassively and join in spirit.

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The next bus stop is closed too. 2021. John Ball. Viewed via a camera lens, the raised height of upper-deck bus travel captures an unusual viewpoint emphasising the wider surroundings of diminutive suburban estates.

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Untitled (A side street in 2021. Duncan Ball A shady scene from a well-established & early suburb, the light source & fading perspective convey the relaxed atmosphere & section of a longer road.

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Untitled study (View across to 2020. An early spring vista across a sea of roofs and streets shows the essence of a shared communal townscape. Economic painterly gestures convey the landscape and terrain.

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"Newbuilds on the corner" (& two untitled). 2015. & monoprint on paper. Travelling through familiar surroundings submerged in gothic tones new perceptions are revealed, as shapes and skylines become unreal.

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View through a window, Embleton road, House with the red door. 2020. The artist records an everyday street via everyday views from the home - capturing both a likeness and an experience.

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Footpath. 2018 on paper. The suburban commuter has an almost determined non-existent relationship with their local train stop. Footpath routes such as these are nowhere places, endured & ignored. The scene paints the ghosts of its patrons forever somewhere else.

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Dwelling 1. Dwelling 3. 2014. . on wood. With the viewer in motion, the horizontal blur captures our momentum while also representing our indifference to the random and anonymous dwellings only ever registered in the peripheral view.

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