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This picture is one of Klee’s very first reverse glass paintings.
As Klee himself remarked, the cat is in a funny position that even seems grotesque. At the same time, this position results in an exciting composition. 💙🏛 @ZentrumPaulKlee collection 📖📲 https://t.co/bXzzmB5Gmr
The artists captured the scene, the atmosphere of place, with few brushstrokes.
@NatGalleryAus Canberra Tom Roberts
Going home c.1889
Self-Portrait
1891/92
@artinstitutechi
Käthe Kollwitz
- Look at life with the eyes of a child. ...
The Little Girl in Blue was painted during a period when Sher-Gil was on the cusp of a change in her technique and approach to her subject. The treatment of the subject has become more linear and flat. 1934
Young Woman Powdering Herself
Georges Seurat The work depicts his mistress Madeleine Knobloch. Seurat kept his relationship with artist's model Knobloch secret. His relationship to the sitter was concealed when it was exhibited in 1890. @CourtauldGall
In his New York studio, Church painted this spectacular view of a blazing sunset over wilderness near Mount Katahdin in Maine, which he had sketched during a visit nearly two years earlier. @ClevelandArt Twilight in the Wilderness, 1860 Frederic Edwin Church
This meticulously rendered exotic creature recalls that art and science were once on an intellectual continuum.
LIGOZZI, Jacopo
1580-60 @UffiziGalleries
💫
'Art thou pale for weariness,/ Of climbing heaven and gazing on the earth,/ Wandering companionless/ Among the stars that have a different birth'.
Percy Bysshe Shelley, To The Moon
🏛 @Sothebys Edward Robert Hughes, R.W.S.
1851-1914
THE WEARY MOON
The brushwork is delicate and the palette is restrained compared to his more experimental work from this period, perhaps because Renoir acknowledged that with a portrait, “it’s necessary for a mother to recognize her daughter.” 🏛 @the_clark https://t.co/2W9WMiOccK