Dominic Umile @[email protected]さんのイラストまとめ

Good to see Philadelphia illustrator Anuj Shrestha’s work in @NewYorker, but I wish the post-apocalyptic stuff he does so well was accompanying a work of fiction https://t.co/JdCKziZKCn @inkanuj

Philadelphia record store, label, preservationist collective @BTown_Beats shares news of the passing of LeRoy Butler, whose visionary pen and ink art appeared on Sun Ra album sleeves and more https://t.co/CdJfliSk0V

Striking narrative quality and subdued use of color gradients in this header illustration from AJ Dungo for the NYT this week. Wrote about his graphic memoir last summer for the LA Times https://t.co/eRVLOX9x0b @NobrowPress

“While committed to the institution, Deeds crafted scenes of circuses replete with animals and performers, in addition to what seem to be depictions of the expansive hospital” https://t.co/V28McV8FLf

“Beginning in 1966, Mr. Wilson made posters for Bill Graham, who produced rock shows at the Fillmore Auditorium in San Francisco, as well as for Chet Helms of Family Dog Productions” https://t.co/34pJT9254e

A preview of ‘Constantly,’ artist GG's new 48-page, full-color book available via @AnnieKoyama https://t.co/ZFT27bfcSl ...https://t.co/SdlE5sCDQ7

Terry O'Neill's gorgeous shot of Brigitte Bardot in Spain in 1971 was the last frame on a roll of film. "The wind blew and I took the picture. I only had one crack at it, and it turned out to be a stunner" https://t.co/bzyafxAw0U

Artist @marcelodsalete talks to @ComicsJournal about his important ‘Angola Janga'—a graphic novel that tells the story of a real-life colony founded by escaped slaves in Brazil https://t.co/oTj3jSpqGP

"It looks terrible to me. I can't stand looking at that stuff I did in the '60s. It just seems so innocent and crude and reductive" https://t.co/0l4QFrlLdU

Prescient illustration of modern-day America from Basil Wolverton, fittingly for 'Weird Tales of the Future' (1952) https://t.co/UfYYz4Rety