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I'd presume that this portion of the film was handled by the the series' best AD Sayako Koiso. Her corrections aren't overly detailed and it's a quite simplistic but faithful iteration of Hiramatsu's designs, that's probably why I love their approach the best.
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Some amazing AD work mixed with Fujimoto's signature impact frames and brush. Job well done.
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One of my favorite Norimitsu Suzuki scenes from his early 2000s career. So much volume and weight in each strike. High replay value as always.
120
761
Might be considered a weak list but I'd die for them all https://t.co/a4p2kTevQ2
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