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The poses of the party were an integral part of the storytelling. I mostly stuck to what I had in the sketch. Notice also how the poses also double as a focusing factor towards the bard, especially with the Thiefling and the Dragonborn.5/6
Here you can see that shift to the cold foreground and warmer sunlight on the bard. I sometimes forgo a detailed line-art and just jump right into the painting from the colour sketch. This is an organic and fun way to paint if I am confident in the scene.4/6
Here's a breakdown thread for the "Inspiring Bard". Many thanks to my AD Zack Stella for commissioning it! It was definitely a fun card to paint. The main idea the card was supposed to convey is a bard waking up their party with a song. 1/6
Ok, one more! This is my personal favourite from technical point of view. #NoCropArt
Quote retweet with your first digital art vs your most recent:
2010 ------------------------>2021 https://t.co/5AgExjPMLt
#PersonalVSProfessional My work assignments tend to be more “epic”, although I’ve done some design for children’s tv series too that I can’t share yet haha. At home I am more subtle. The environment is from the Dragon Prince.
@_tyedied Hey! Thanks for doing this. I am an illustrator from Finland, here’s some of my stuff. :)
Hey #OriginalContentArtist ! I make original paintings inspired by Finnish nature, culture and European architecture!
Something from last summer!
Sketch -> Final