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The place to experience digital art, co-founded by @REAS & Bitmark. Our gallery hosts curated exhibitions. Organize and display via our app.
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“I started thinking about this digital dualism that we're all grappling w/—going back & forth btwn being in the physical and this more intangible realm. It's something that is manifesting so profoundly in this show.”— on her foreword in the GRAY MATTER catalog

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’s solo show Gray Matter, opening Thursday, "presents a body of work emerging from an undefined and fluid ambient, where mud-like protoplasm is molded from a neutral background, solidifying into metaphysical apparitions.” — curator

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Read more about the exhibition in an interview between the artist and curator https://t.co/2bzWqMNxmr

And join us next Thursday for the exhibition opening https://t.co/8bsxDRcP2S

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We're re-reading "On Generative Ecologies," + 's discussion with on the prospects for art after the Anthropocene. https://t.co/zSUniTJUu2

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paintings, largely known for their gender-undifferentiation. For her project, “ماه طلعت، Moon-faced,” Allahyari uses a carefully researched and chosen series of keywords with a multimodal AI model to generate a series of videos from the Qajar Dynasty painting archive (1786-1925).

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In ancient Persian literature, ماه طلعت، (“Moon-faced”) was a genderless adjective used to define beauty in both men and women. In contemporary Iran, it refers to the beauty of women only. Something similar happened, in the world of images, to the Qajar dynasty portrait-

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to circumvent precision. James amplifies this further with his library of dense and meticulous patterns. https://t.co/GtMu4tPoMP

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“Unsupervised — Data Universe — MoMA” is a global AI data painting that simulates a latent walk among the museum’s digitized collection. + his team used archives to construct the seven dimensions of the artwork: x, y, z, r, g, b, and time.

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