Grant Griffinさんのイラストまとめ

One more inspired by @roosnicola sculptures the (braids and headpiece) ❤️ when I have free time, but no idea what to paint. I go to my reference folders for inspiration. I mix and match from various sources. It doesn’t always work, but it can be fun way to explore your interests.

The rogue-for @GametoGrow @CriticalCoreRPG When revisiting this class, I had a samurai-gun slinging-nun idea lodged in my head. I had wonderful time getting it out. I wanted to keep the sword motif but explore a more unique take on the class. Glad to have had a second crack at it

Halfling Bards for @CriticalCoreRPG @GametoGrow I enjoyed the opportunity to rehash old concepts with new spin-offs. We wanted to keep the same rockstar androgynous flare for the Halflings. To keep it fresh, I was thinking about differences between a town bard vs a city bard.

Dwarf Cleric for Game to Grow’s pen and paper rpg Critical Core.

My biggest procrastination is adding to my reference folders. My new favorite is google searching inanimate objects paired with vintage. E.g. (vintage life preserver) which inspired the cleric’s padded armor.

Dwarf Cleric for Game to Grow’s pen and paper rpg Critical Core.

Half orc barbarian for Game to Grow’s pen and paper rpg Critical Core.

Half orc barbarian for Game to Grow’s pen and paper rpg Critical Core.

Blocking in the shadow with a multiply layer can be an effective way to quickly round out your character before adding the color underneath.

The matriarch: half elf spell caster for Critical Core by Games to Grow.

Each character was designed as a reward to for top tier backers for the initial Game to Grow kickstarter. Backers got to choose their character class and race.

The second half elf spell caster for Critical Core by Games to Grow. I wanted a matriarch feel for this one.

This stage is where I find out if what was in my head is going to translate properly into its 2dimensional space.

The finished Half elf spell caster for Critical Core by Games to Grow.

For this set of characters, I wanted the line work to bleed through leaving each stage of the painting to show through while still melding for a finished look.