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While I'm at it, some early stabs at different media, and some super old dead ends on the artistic evolutionary chart.
#4styles as I stare off into the middle distance, wondering why I settled on drawing everything with a million lines.
Responsibility won out against monomania (by which I mean I paid rent and gulped hard at my bank balance) but I think this is still happening, just doodling whenever I do play.
Girls love it when you understand that adversity and existence are one and the same.
Hey #PortfolioDay! I’m Tom, I live and study illustration in Canada. I’d love to illustrate for your fiction, game, or album. If left alone I draw sad horror.
email: tomhorstmann@gmail.com
portfolio: https://t.co/tK4p4XcIkV
@milestsang I’m available for the summer!
https://t.co/tK4p4WV7tn
tomhorstmann@gmail.com
@Robots_and_Such Old/New/wip. As for what helps me create, I need music of some kind to power through a drawing, Neko Case in particular has been on repeat this year.
The death train painting (Gustav Spangenberg 1876) was genuinely very affecting. Death is fucking great, the priest and flag bearer, the mercenary saying goodbye, the beggars, it’s very good. Also some CDF (more to follow).