@IAmSciComm - On a Break!さんのイラストまとめ

Live demonstration of networking on twitter: Let's organize a symposium together shall we?

@kayleeclbrooks1 is a PhD candidate and scientific illustrator who does scientific illustrations, infographics, logos & branding, and figure & presentation review.

https://t.co/khifc0Z4Ac

Make sure to follow @Maria_Scheel_, a last year PhD student with a passion for making science visualisations! https://t.co/CcwIiQCVBM

Check out the work of @Aa_artlab! https://t.co/LsRIGT00FY

Love the science-inspired illustrations of @lucialayr! https://t.co/ub6of4IzJG

Check out the great work of @glogliiita, a scientific visual communicator! https://t.co/WX4fz4b0eB

But just talking about nitty gritty details is boring, so we need elements of narrative storytelling. People have to care, to want to save these animals, before we can talk about the details of how to save them.

And not all endangered species are cute and cuddly!

Science has shown us that the ocean needs our help. Overfishing, ocean acidification and climate change, habitat destruction, pollution, and more are grave threats to some beautiful (and ecologically, and economically) important places.

John’s skills in art were s e v e r l y lacking, of which Elizabeth was well aware while he was writing his monograph. She offered her artistic talents, and they collectively worked on 8 publications together.(2/2)

She worked for many years at the Chelsea Physic Garden, studying/drawing/etching out botanical illustrations for the book. Blackwell worked closely with other botanists and medical professionals, eventually publishing the book in 125 weekly installments from 1736-1739 (2/2)