Ink & Paintさんのイラストまとめ

Here are some terrific examples of the work competed by the Ink and Paint department on OLIVER & COMPANY. The legendary department were in the process of shifting to vinyl paints, developing the formula to their high standards. Learn more: https://t.co/MQtmeThxye

Artist Mike Gabriel came into his own on OLIVER & COMPANY, overseeing story development and recording sessions. These terrific storyboards by Gabriel map our ideas for the film's terrific opening sequence. Learn more in our latest episode: https://t.co/MQtmeThxye

The Bronze Age comes to an end! Daniel is joined by film and animation expert @daveleedwnundr to look at the final film of the era OLIVER & COMPANY and its important place in Disney history. Listen now to the final episode of this season: https://t.co/MQtmeTi5nM

Before joining the studio in the 1980, German-American animator Andreas Deja conceived of his own designs for THE BLACK CAULDRON for his portfolio, featured on his tremendous blog https://t.co/dbfinbw2MM. Learn more in our episode on THE BLACK CAULDRON: https://t.co/qe8Q85h2Bk

After years of waiting, SNOW WHITE AND THE SEVEN DWARFS finally made its VHS debut in 1994, the first of the Walt Disney Masterpiece line. Like FANTASIA, it was billed as the only home entertainment release planned for the film. Learn more: https://t.co/iCPII3id02

Under the exacting hand of animation director Richard Williams, Roger Rabbit was designed as a zany amalgamation of many elements of American animation traditions, as seen in these storyboards from the opening sequence. Learn more: https://t.co/rTVg6JMzSF

In the early 80’s, development began at Disney on an adaptation of Gary Wolf’s novel WHO CENSORED ROGER RABBIT? with animation director Darrell Van Citters. These images come from a development reel, showing how the characters may have looked. Learn more: https://t.co/rTVg6JMzSF

As well as his concept art, Mel Shaw also contributed a number of character designs for THE GREAT MOUSE DETECTIVE, including a number of wonderfully nefarious early designs for Rattigan. Learn more: https://t.co/1R4vqLCiyY

These ridiculously fun character designs for Gurgi by Tim Burton give a very different interpretation of the fluffy sidekick in THE BLACK CAULDRON. The apple smashing into his face is a particularly nice touch. Learn more: https://t.co/pz6GAg0Hr8

Another artist who worked on the visual development of THE BLACK CAULDRON was Tim Burton, who began as a Disney animator before becoming an acclaimed director. These sketches show his radical vision for what the film could have been. Learn more: https://t.co/pz6GAghKt8