Ink & Paintさんのイラストまとめ

Another great artist to work on the development of THE ARISTOCATS was American watercolorist Ralph Hulett (1915-1974). He joined Disney in 1938 and worked on almost every major animated feature during his lifetime. Learn more in our episode on the film: https://t.co/p34VBjz76L

In an early draft of THE ARISTOCATS, the dastardly butler Edgar had an accomplice in his wife, Madame’s maid. The character was cut during the redrafting after Walt’s death, but this sketch by Ken Anderson show an early design for the Maid. Learn more: https://t.co/p34VBjz76L

The first artist to begin development on THE ARISTOCATS was the great Ken Anderson, who began work on the film before Walt’s death. When production finally began, he was the only person who had ever discussed the project at length with Walt. Learn more: https://t.co/p34VBjz76L

These terrific story sketches for CINDERELLA were drawn by legendary Disney story artist Joe Rinaldi, and perfectly capture the rambunctious and classically romantic texture of this beloved film. Learn more: https://t.co/JlzpAfGUAu

There’s no such thing as too much Mary Blair! Here are more examples of the incredible concept work the legendary artist created for the beloved Disney classic CINDERELLA. Learn more in our episode on the film: https://t.co/JlzpAfGUAu

As well as his extraordinary animation for CINDERELLA, Marc David also contributed a number of costume concepts for the many now-iconic characters. Here is a selection of Davis’ sketches for the film. Learn more: https://t.co/JlzpAfGUAu

With the rapturous success of CINDERELLA in 1950, Disney emerged triumphant from the post-war period and entered its Silver Age. Listen to our episode on this classic film with theatre makers Katrina Cornwall and Morgan Rose now: https://t.co/JlzpAfGUAu

The WIND IN THE WILLOWS section of THE ADVENTURES OF ICHABOD AND MR TOAD features some incredible character animation from Disney’s legendary Nine Old Men. Here are a few examples of rough and clean-up animation from the sequence. Learn more: https://t.co/7BO65fi1CP

In the early 1940’s, concept artist Mel Shaw began working with screenwriter Larry Morey on the Disney adaptation of THE WIND IN THE WILLOWS. Here is a selection of his gorgeous artwork created for the film. Learn more: https://t.co/7BO65fi1CP

The Legend of Johnny Appleseed, the third segment in MELODY TIME, may have initially been conceived for a package film on American folk tales and heroes. Here is production artwork from the sequence, including some by Mary Blair. Learn more: https://t.co/vt6C7XyFlx