Larry Kingさんのイラストまとめ

Look back at the art of Dale Keown, I like his older work more than the newer stuff. That rougher look, it was hasher, around the time he went off to do Pitt, and took that time off his work softened, became plasticy, if that makes any sense.

Since the new Donnie Cates Hulk run is using the 'Banner is the real monster' concept that Jason Aaron did 10 years ago, here's WHAT IF..? Vol.2 #91(Nov. 1996) where Banner is a wife beater who pulls off a false flag and starts WWIII. By Joe Kelly and Nelson.

The comics that Marvel was putting out and I was reading as of November 2001.
-Bruce Jones & John Romita Jr. on Incredible Hulk
-Mark Millar & Adam Kubert on Ultimate X-Men
-Grant Morrison & Igor Kordey on New X-Men
-J. Michael Straczynski & JRjr on Amazing Spider-man

After WW2, superhero comics started to fade in popularity, and the focus was science fiction, funny animal, horror, and-- Romance comics! Lots of romance comics. Who created the first romance comic? Joe Simon and Jack Kirby.

I follow the K.I.S.S. method.
Keep
It
Simple
Stupid

But in a conversation with my brother, there's another method I follow, that I didn't have a name for: K.I.C.K.
Keep
It
Consistent
Kid

The best Gambit story isn't even in the mainline Marvel universe, but in Ultimate X-Men #13 & 14 by Chuck Austen & Esad Ribić. Where a young street hustler goes to save a street urchin from the villainous Hammerhead and his goons.

@Zolyin @ComicPerch Buckler had a reputation for swiping.

Since the Inhumans make terrible protagonists, they are weapons of war that have sat on the shelf by their Kree makers(for the most part), the Inhumans with the Sauron looking Black Bolt would make for great villains.

How it started------------------How it's going

It's more than just nostalgia to say it was better in the day. Whether it was Barry Windsor-Smith, Claremont, Hama, etc. even during the milk it 'til it's dry days of the 90s boom there wasn't this idiocy. https://t.co/ynZKg6Ziho

Captain Marvel tackles inflation!

Whiz Comics #102 cover art by C.C. Beck