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The Thames (1876) by James Tissot (1836-1902). Hepworth Wakefield Art Gallery. The River Thames, London. #Victorian #MaritimeArt
The Crystal Ball (1902) by John William Waterhouse (England, 1849–1917). Now restored to show the skull which had been covered by a previous owner. #PreRaphaelite #Victorian
The Voyage of Life (1842) by Thomas Cole (USA, 1801-48). Childhood, Youth, Manhood, Old age. 'All the world's a stage - And all the men and women merely players - They have their exits and entrances - And one man in his time plays many parts ..' [As You Like It, Shakespeare]
Perseus and Andromeda (1720) by Hendrick Jacob Hoet (c. 1693–1733) The Bowes Museum. Andromeda is shackled to the rocks - Perseus rides to the rescue on the winged horse, Pegasus. #Ovid #Metamorphoses #Mythology
Heptu bidding farewell to the city of obb (1909) by John Duncan (1866-1945). Celtic Symbolism. #Edwardian
Memory of a wooded island in the Baltic Sea (Oak trees by the Sea) (1834-35) by Carl Gustav Carus (Germany, 1789-1869). #Trees
Spring (1873) by Pierre Auguste Cot (1837-83). Met Museum of Art. “If people did not love one another, I really don't see what use there would be in having any spring.” ― Victor Hugo, Les Misérables. #FrenchArt