The Long Victorianさんのイラストまとめ

Hope (1886) by George Frederic Watts (England, 1817-1904).

Heptu bidding farewell to the city of obb (1909) by John Duncan (1866-1945). Celtic Symbolism. #Edwardian

Memory of a wooded island in the Baltic Sea (Oak trees by the Sea) (1834-35) by Carl Gustav Carus (Germany, 1789-1869). #Trees

Spring (1873) by Pierre Auguste Cot (1837-83). Met Museum of Art. “If people did not love one another, I really don't see what use there would be in having any spring.” ― Victor Hugo, Les Misérables. #FrenchArt

Asgårdsreien [The Wild Hunt of Odin] (1872) by Peter Nicolai Arbo (Norway, 1831–1892). #Odin #Horses #Mythology

Christ Leaving the Court (1867-72) by Gustave Doré (France, 1832–1883). Strasbourg Museum of Modern and Contemporary Art. This is a massive painting of 20 x 30 ft (6 x 9m) and shows Christ leaving his trial.

The Thames (1876) by James Tissot (France, 1836-1902). Hepworth Wakefield Art Gallery, Wakefield. #MarineArt #London #Ships

@StevenMered @boccabaciata Yep, men too. 'Echo and Narcissus' (1903) by John William Waterhouse (1847–1917). Narcissus fell in love with his own reflection. A narcissus flower grew on the spot where he died.

Baronne de Crussol (1785) by Élisabeth Vigée Le Brun [Madame Le Brun] (1755-1842). #VintageFashion #FrenchArt

The Voyage of Life (1842) by Thomas Cole (1801-1848). A four-part series by the English-born American artist: (1) Childhood (2) Youth (3) Manhood (4) Old age. “The afternoon knows what the morning never suspected.” [Robert Frost]